asylum-art:

Sylvia Evers Sculptures

Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes.

(via asylum-art)

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umla:

etoileoftheworld :

Giselle tylko w ramce

umla:

etoileoftheworld :

Giselle tylko w ramce

(via imagined-creature)

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daria werbowy by Mikael Jansson

daria werbowy by Mikael Jansson

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asylum-art:

Sylvia Evers Sculptures

Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes.

(via asylum-art)

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larastonestits:

"It’s all about shapes" Mariacarla Boscono by Emma Summerton for Vogue Italia, September 2010

larastonestits:

"It’s all about shapes" Mariacarla Boscono by Emma Summerton for Vogue Italia, September 2010

(via refusingfashion)

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by gregory carlier

by gregory carlier

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lemon2jul:

iheartmyart:

Bill Domonkos, (GIF: Bill Domonkos, 2014) (Photo: Beatrice, Julia Margaret Cameron, 1870)
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See more on:♥ iheartmyart | facebook | twitter | instagram | flickr | mailing list | pinterest  
See more Bill Domonkos on iheartmyart.

http://www.torildartistes.com/blog-2/inspiration/

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alongtimealone:

IMG_6234 Raoul Dufy. 1877-1953. (by jean louis mazieres)

alongtimealone:

IMG_6234 Raoul Dufy. 1877-1953. (by jean louis mazieres)

(via galerie-martin)

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bodyfluids:

“The Gymnast” Aymeline Valade by Cédric Buchet for i-D Summer 2012

bodyfluids:

The Gymnast” Aymeline Valade by Cédric Buchet for i-D Summer 2012

(via vandevorst)

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bienenkiste:

"The Turn". Nastia Shershen by Marcello Arena for REVS #3

bienenkiste:

"The Turn". Nastia Shershen by Marcello Arena for REVS #3

(via honey-andtar)

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excdus:

Nocturne 17
Chad Wys

excdus:

Nocturne 17

Chad Wys

(via juergent)

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thewakeupcall:

Devon Aoki for Nylon Magazine 2000 by Nick Haymes.

thewakeupcall:

Devon Aoki for Nylon Magazine 2000 by Nick Haymes.

(via marniegarrigue)

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cnyck:

Ostře sledované vlaky, 1966

cnyck:

Ostře sledované vlaky, 1966

(via marniegarrigue)

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rick-owenn:

Balenciaga S/S 12

rick-owenn:

Balenciaga S/S 12

(Source: rick-owen, via emzgalz)

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